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SET CONSTRUCTION
As with characters, a set can literally be made from anything.
In fact, sometimes you don't even need to construct a set
at all. The first film that I ever made was of a Plasticine
character climbing out of a plastic box. I made the film on
the floor of my bedroom, which wasn't ideal as I ended up
with some unexpected results. Without realising it, I had
inadvertently
animated the carpet. As it happened the look was quite good,
but it certainly wasn't something that I had planned. That
early experience taught me a valuable lesson; anything that
is within your set has to be under your control. Consequently
items that you do not intend to move must be held firmly in
place.
There are a couple of other "rules", which you
must be aware of when making a set. The first of which, is
that you will need to decide how to fix (usually temporally)
your character to the base of the set. This is called tie
down and there are several ways of doing this, including using
bolts or pins. The best results, however, are achieved by
the use of magnets, as they do not damage your set in any
way. See the diagram (left) for a suggested method of tie
down, using a pair of magnets. Also visit our online
shop for more information.
The second thing that you should consider when making a set,
is accessibility. You must ensure that your set offers easy
access to your characters, which will make for more straigh
tforward animation.
When it's time to animate, your set can be as simple or as
complicated as you want. It maybe that you will use a computer
generated image as your background, and that your set will
simply consist of a blue screen. It could be, however, that
your set is used as an integral part of the mise-en-scene
(overall appearance) of your film and therefore requires a
great deal of attention to detail. Whichever you require,
I believe it is essential that you construct a robust set,
as it will undoubtedly save time in the long run.
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